Tag Archive: Inspiration


We’ve all experienced them. Moments where we stumble and draw a blank. Moments where we forget someone’s name… someone very familiar to us but for some reason it is just gone and the panicked whirring of your mind cannot bring it back to you. The more you strain, the worse you seize up. Or that word… that perfect word that is just on the tip of your tongue, but can’t seem to let go and spring forth.

This is prevalent in my writing as well. My pen streaks across the page, the words flowing easy, and then a thought that involves a word that is similar to synchronicity, but not quite so philosophical in nature. The word suggests how two random things slammed together create an insight leading to something better, not because the universe wills it, just because you happened to think of it while thinking about something completely different. (The actual word I’m talking about is serendipity here, but that really isn’t the point of this post…).

Fill in the blanks

Courtesy of miss rogue via Flickr

The search for that perfect word smashes that free flow of words into the Hoover Dam. I am stopped until my brain releases the flood gate of knowledge about what that word is. When I can’t think of it, I might pick up Synonym Finder or go to an online thesaurus, but then again how do you find a word that is that specific if you don’t know what the word is in the first place. It breaks your momentum. It cracks open a door for your Inner Critic to whisper warnings to you and suggest that maybe you should do something other than write for a while.

I hate this. I found that the elusive, perfect word would occur to me as I continued writing, either a couple of paragraphs or pages later, so the time that I spent sprinting in place was a waste of time and energy. So now when I get stuck trying to remember a word, character name or stubborn concept, I just draw a line where the word might be, making a blank space to fill in when I do remember it later. If I don’t think the blank space is enough of a clue to remind me of my train of thought, I write a description containing several words that were “not good enough” in parentheses next to the blank to jog my memory later.

This transformed the writing process for me and helped me focus on production, not perfection. Soon, I expanded this concept to word processing documents by using brackets as flags for these breaks in my train of thought as well as writing notes to myself within the work so I could go back to them later after I’d finished the thought or had some time to follow-up on these notes. I use the bracket keys for two reasons:

  1. 1. You don’t need the hold down a [SHIFT] key to type them
  2. 2. It provides a rarely used character to easily find the thought later during a search of the document.

I use these brackets to direct me like a playwright provides direction in a screenplay. And I use them to encapsule anything that slows, stops or directs me somewhere other than writing. The comments suggest content additions that are needed but can’t be captured right now [need to find relevant quote about forgetfulness here]; identify need for additional content [list examples of books with a strong 1st person point-view here]; need additional research [find support for assertion about the growth of neural pathways in the brain]; suggest immediate edits [cliche, try again]; suggest edits for future drafts [this is awkward, reword this ASAP; these examples SUCK, get better ones]. I note missing/temporarily forgotten words with brackets surrounding ellipses [...].

This approach allows me to spend writing time getting words down on paper and not flipping through pages of reference material, or going online to search for a toilet paper product engineering expert to be a possible source for quotes in your latest article for Flush Bowl Monthly [look up an actual market to insert here]. (See how that works? Leaving blank spaces and taking notes can create the production without sacrificing creativity or quality.)

After I finish a draft, I then go back and use the find feature to search for all of the open brackets [ in the work, and then I highlight the content within them and change the color to RED. Some writers use different colors or highlight these passages. I use a highlighter on my handwritten pages and notes to make these stand out. From there I can fill in the blanks during my next research session, batching the research tasks and doing them together instead of throughout the writing of the first draft.

Do you do anything like this? If you do, share your process with me in the comments below. If not, try it and let me know how it works for you.

 

agile-testing-days-2010_04.JPG

Photo courtesy of Stephan Kamper via Flickr

Earlier this month, I wrote about Why Tracking Word Count is the Only Way to Track Productivity, but I thought you might like some tips on generating that word count:

  1. Write fast — Many of you know that I believe in blowing out a draft quickly by writing the words that pop into your head immediately so your Inner Critic doesn’t have time to insert itself into the process. So write or type as fast as you can without stopping. Don’t focus on the quality of the work, focus on the quantity of words you produce.
  2. Use Prompts — I have a list of writing topics on hand for every project I’m working on. I also have a random list of writing prompts available in case I’m having a rough time getting moving on one of my “official” writing projects. Prompts help focus a writing session and provide direction to work towards.
  3. Use a timer — Another favorite trick of mine is to create an artificial deadline by setting a timer for 10 minutes. This is particularly helpful if I am struggling mightily against resistance that day. I tell myself that I only have to write for 10 minutes and then I will allow myself off the hook for the rest of the day as far as writing goes. Typically what happens after a 10 minute writing session is that I shake off this resistance and want to keep going. But if this doesn’t work, at least I have some of the word count under my belt for the day, and trust that I’ll have a better day sometime later in the week where I can make up the lost word count.
  4. Don’t Struggle — Don’t allow yourself to get bogged down in the hunt for the perfect word or trying to remember that waiter’s name who insulted you at Applebees last week who you want to excoriate in a vitriolic short story about the arrogance of chain restaurant waiters. Let it go. Make a blank space for the missing thought to be completed later. For more details about the benefits of blank spaces, check out this article: The Benefit of the Bracket and the Blank Space.
  5. Work on Multiple Projects — Sometimes you just need a change of scenery. If I get stuck on my main project, I find it helpful to switch to a shorter project, such as a blog post or brainstorming on a future project. Some days this is just what you need to keep the creative juices bubbling until you can get refocus on the main project later. This post is an excellent example of output created by a lull in the first draft of my Creative Thinking for Creative Writers manuscript.
  6. Pluck a Low-Hanging Fruit — A low hanging fruit is corporate-speak for a task that can be completed easily (thus easy to pluck from the low branches of a tree). If a project or assignment is particularly difficult, I jump to another section of the project that appeals to me or where I know what needs to be written next. This might be the next crucial scene, the next sub-topic in the article, or some background writing on an important chapter or section. This shift allows you to keep writing while your brain’s subconscious works on the stuck project and may reveal insights the next time you sit down to write.
  7. Power Through — Sometimes you just feel stuck. Like your writing is awful and anyone that reads it will laugh at your aspirations of professional authorship. Write anyway. It will get better as you work through it. If not, there is always another day.
  8. Talk to Yourself — In my drafts, I often think on the paper, writing down information that I need to research further, noting a passage to return to later, or sometimes just writing about what is on my mind. Sometimes the reason that I get stuck is not associated with the project itself, but is about a worry I have with one of my kids, a challenging project at work, or some mental treadmill that I can’t seem to yank my mind off of. Sometimes the best way to deal with these things is to express those feelings on the page and move on.

So there are 8 of my tricks for generating word count as well as keeping my Inner Critic gagged and stuffed in a steamer trunk while I maintain my writing momentum. What do you do to keep writing when you get stuck? Comment below!

 

 

Tracking productivity for writing projects is difficult. Writing, the act of putting words on paper, is only part of the process. There is editing, re-writing, researching and marketing (to sell your work) and marketing again (to promote your work after it has been published). So how do I know if I had a good writing day?

I look at my word count for the day. My goal right now is a modest 1,000 words a day. I push myself hard to generate that amount of raw output at least 5 days a week.

Word count - Brandice

Photo courtesy of Brandice Schabel via Flickr

Tracking productivity via page count these days is just silly. With the ability to change font sizes and document margins, you can write 23 pages in minutes with a 72-point Times New-Roman font on pages with 2″ margins all around… but let’s face it, this isn’t writing, it’s gaming the system.

To get an accurate page count consider this: The average number of words on the printed page of a published book is about 250. This also is close to the number of words that fit on a double spaced manuscript page using 1-inch margins and a 12 point font such as Courier.

I’ve also tried establishing a daily “Ass-In-Chair” (or AIC) time devoted to writing, but this is too vague for tracking productivity. During the scheduled writing time it is too tempting to spend some of that time doing “research” on the internet, and because of my ADD nature, one link leads to another, which leads to another, and pretty soon I’m reading about “Why Thousands of Spiders Are Crawling in the Skies Over Brazil”  or watching a video about the home office of the 21st century, as envisioned by Walter Cronkite back in 1968.  Staring off into space also takes up some time. I look at my bookshelf full of books on creativity and writing with a nagging sense that there is something interesting and applicable to this project hidden in one of those books. Then I get a phone call interrupting writing time (and I don’t notice how many minutes I had left before the phone rang). Soon I realize that AIC time is up and that I’ve made no significant progress on any writing project. Do I start over? Or do I just forget about it and vow to do better tomorrow?

I found myself doing the latter. A lot. Always promising to do better tomorrow, next week, or next month and breaking my promise almost every time. And hating myself for it. Questioning again if I really could consider myself I writer if I NEVER SEEM TO DO IT.

I tried setting monthly deliverable goals: Write a complete article on the benefits of writing flash fiction and submit it to Writer’s Digest by the end of the month, and write 2 flash fiction stories to present to my online flash fiction writing workshop, oh and don’t forget the 4 required story crits for the workshop as well.

How many projects did I manage to complete? Let’s just say the workshop administrators were very lenient with me before being forced to kick me out of the workshop for not submitting the minimum number of story critiques several months in a row. Each month I vowed to do better, and each month I failed.

So, inspired by the 1,667 words needed per day to reach 50,000 words at the end of NaNoWriMo. And the edict that the words only need to be present, not necessarily good, I found my metric: 1000 words of project output per day. It didn’t have to be of publication quality (and in fact, it rarely is) it just had to be raw words on the page that could be counted by a word count feature.

How do I manage this with all of the other writing tasks that I may be devoting my writing time to, such as editing or research? For now, that time doesn’t count. I’m exploring a couple of metrics to track these things which I’ll share with you in a later post. I’m currently working under the belief that a serious writer should be able to produce 1000 words of raw project output a day, every day. It can be anything: a blog post, an article, comments providing value posted to other blogs, a draft of a short story,etc., it all counts toward the daily word count total.

And although 1000 words a day at least 5 days a week is an ambitious goal, it is manageable. Right now I can reach this number with 60 to 90 minutes of concentrated effort. I’m hoping as this becomes a habit that I can increase my speed and generate 1000 words in 30 to 45 minutes.

Is it working? I’ve been doing this since January 7th and I’ve written about 23,000 words that I might not have been produced without this target.

So try this: Set a daily word count goal of 1000, 500 or 250 words of raw output per day for at least 5 out of the next 7 days. Track your word count on a calendar, planner or spreadsheet. I LOVE writing this number down. It makes me feel more like a writer than all of the words written to reach that number. There is something very satisfying about this I can’t explain right now.

So how do you track your writing progress? Word count? Page count? Number of minutes spent writing? How is it working for you? Share your experiences in the comments below.

 

Chuck Wendig has a theme that resonates through his blog and work, and has a popular writer’s prayer that he shares on his website: www.terribleminds.com

Here are the final lines of it:

I am the Commander of these words.
I am the King of this story.
I am the God of this place.
I am a writer, and I will finish the shit that I started.

Thomas Merton (1915-1968)

Courtesy of DUCKMARX via Flickr

But I think it all boils down to this: Get your shit done. Starting a new project is easy and fun, but like a battered marathon runner, you are going to hit a wall on it, and hit it hard. It will feel dead and lifeless and you’ll wonder why you ever thought writing it was a good idea. In fact, it will seem like the stupidest idea you ever had…

Your Inner Critic will howl in protest anytime you open the document on your computer and urge you to check out your friends’ Facebook status instead. It will try to convince you that you have to have a Peanut-Buster Parfait from Dairy Queen right now, or that the top shelf of your closet, that hasn’t been even looked at since you moved in 15 years ago, needs reorganizing. The Inner Critic will fight dirty, making you feel like you are neglecting your kids and wife, ignoring your mother and siblings, and irritating all of your friends.

I am the king of unfinished projects. Just ask my wife about the master bathroom remodeling that has now been going on for 6 years. Most of it is done, but some minor drywall patching needs to be done, a touch-up of paint, as well as an under sink cabinet drawer that needs to be repaired because of my dash into the open drawer full force, ripping off the front of it while trying to reach a ringing phone that turned out to be my credit card company letting me know that there were no problems with my account, but that they had some new services to offer me…

I’ve been struggling to find balance lately. Trying to walk the tightrope of a full-time day job, a commute that now takes almost 90 minutes of my day (I hear some of you in huge, traffic-clogged, cities crying sarcastic BOO-HOO’s right now… 90 minutes is bad?? But considering my commute for almost three years was rolling out of my bed in my sweat pants and Batman t-shirt and going out to my home office and turning on a computer, this is a dramatic change.) and the demands of domestic life (scheduling medical appointments, grocery shopping, laundry, etc.) take up almost all of the remaining free time I have left. As a result, the blog has been placed on the back burner.

I’ve been continuing to work on my latest project, tentatively titled: Creative Thinking for Creative Writers. I’m about to pass the 30,000 word mark of the first draft by writing during lunch breaks at my desk. But it has been a slow crawl. Much slower than I wanted it to be. Although I shoot for 1000 words a day, 500 words often ends up being a good writing day for me. And some days, work is so hectic that I can’t even think about working on OTHER writing projects during my break times… I just can’t.

And, for whatever reason, I never seem to find the time to write during the weekends… last weekend I cleaned out my closet, packed away my summer clothes, shopped for groceries, and scoured eBay for Christmas gifts. Don’t get me wrong, I still wasted plenty of time on Facebook, watching TV and aimless web surfing, so the opportunities are there… but so is resistance, and when there is so much to do constantly surrounding you, it is hard to buckle down and get the writing done.

Getting in the habit at work is a start. It is progress from where I was on many days when I was unemployed and had entire days free, so I’m going to keep plugging away, word-by-word until this shitty first draft is finished… and then unleash the critic on it and fix it up.

I’ll also post second drafts of sections of the book for you all to get a preview of it and maybe get some feedback if you find any of it to be helpful.

 

 

I love the title of the book, and let’s face it, the cover art is incredible and it alone would be enough for me to pick this book off of the shelf and take a serious look at it.

I think this line from Chuck Wendig’s book, Confessions of a Freelance Penmonkey sums it up best:

“I’ve said it before and I’ll say it again: at terribleminds, http://terribleminds.com/ I aim first to be educational. When that fails, I aim to be funny. And when that fails, I am to dazzle and confuse with creative profanity.”

And he is wildly successful at all three objectives. Not only does he provide excellent writing advice, but the biting, often profane, turns of phrase are laugh out loud funny. Although I don’t understand his obsession with giraffe porn, his penchant for using the word syphilitic, and going pants-free (although the multiple references to wombats in his pants might explain this), but Wendig takes the metaphors to extreme, yet memorable levels.

I spend a lot of time trying to tame the seething profanity beast within me, but Wendig encourages me to embrace it. But I do have kids, who already call me out on my frequent “slips”, so it is probably best to cultivate this depravity in the dank recesses of my writing mind.

His in-your-face approach might be offensive to some, but realistically, if you are a serious writer, you have to appreciate the tough-love, scared-straight, edgy advice he rapid fires straight out of his keyboard. Here are a couple examples, here are the names of two sections in the chapter titled “Why You Probably Still Suck as a Writer”: “Your Writing Is Like That Mumbling Hobo On The Midnight Bus” and “You Think Every Draft is a No-Net Slam Dunk When Really it Rebounds Off the Backboard and Flies Into the Crowd and Hits a Lady in the Face, Driving Her Nose Into Her Brain and Then She Dies but You Don’t Notice.”

His suggestions for gathering writing material (writing what you know) are excellent and his approach and advice about work habits is also excellent:

“Don’t make excuses. Nobody wants to hear excuses. Writing is a results-driven career: what you’ve done is who you are.”

But some of the best advice he provides is specific to fiction writers and how they have a bond with the reader that is tenuous and easily broken.

“Write what you know, but make sure you recognize that you know a lot more stuff than you think you know and in the struggle between fact and fiction, what matters is authenticity instead of hard data…”

In his chapter titled, “Escalation, Escalation, Escalation: The Three Most Important Words in Plotting”, he stresses the importance of creating conflict and sustaining dramatic tension:

“Understanding escalation gives you a powerful tool in composing a strong plot and driving story; it’s the thing that brings people back to the book, it’s the thing that glues them to the screen, that stops them from changing channels, that keeps them playing the game well past the point of reasonable time management…”

Do yourself a favor and download a copy of Confessions of a Freelance Penmonkey today. And don’t forget to checkout his blog: www.terribleminds.com for more in-your-face writing advice with a healthy side-dish of creative profanity (as well as other opportunities to purchase this book and many others).

I’ll also be posting some other quotes from the book via my Twitter feed over the next couple of weeks, if you’d like to follow me… but better yet, follow Chuck instead.

Rating ****

About Ratings: ***** — Well Worth it at Full Retail Price; **** — Buy on Sale/Discounted; *** — Buy Used; ** — Borrow It from the Library; * — Waste of a Good Tree

 

I was on vacation 2 weeks ago. We tried something new, we went toCity, Michigan where we purchased a package which included a lighthouse tour, a trip to two historic sites, one in Mackinac City, Colonial Michilimackinac (try saying that 5 times fast, or even once for that matter) which represented the fort during its American Revolutionary war era of the 1770’s and earlier and the reconstructed Fort Mackinac on the, more defensible, Mackinac Island which represented life from the 1860’s and later. We also spent a lot of time hiking around the island and parks in the area.

Fort Mackinac © by hyku

One of the facts that the re-enactors pointed out about the life of fur traders at Colonial Michilimackinac is that they made a journey of about 3000 miles from Montreal to Fort Mackinac paddling 16+ hours a day, with few breaks each day, for 3 months. In some areas they had to carry 90lb bales of fur using a contraption that supported the bale with a strap secured around your forehead to keep the furs out of water during periods where rapids might capsize the canoe. It was a hard life for these men who had little time for anything other than paddling, sleep, a little rum, salted meat and biscuits and the occasional smoke of the pipe during the short breaks they took.

Even the soldiers and craftsmen who lived in the fort had to perform the many time-consuming, hard chores for simple survival. For example: To keep one fireplace burning in one home or craftsman’s shop required more than 15 cords of firewood to burn for warmth during the winter. This is per STOVE. And the entire area surrounding the fort was clear cut of wood up to 15 miles away. They had to harvest wood from the Upper Peninsula which had to be cut, transported to the fort and then split and stacked. And anyone who has ever burned firewood for heat can appreciate the labor-intensive process. Chopping firewood even with modern conveniences such as chainsaws and log-splitters takes a considerable amount of time, and this is only one aspect of survival the colonials had to deal with in daily life.

Just the basic tasks of living, cooking, cleaning, harvesting, and building around in the early 1900’s were extremely time consuming, and make me ashamed of the days where I say I have no time to write.

This being said, travelling with 5 kids in 2 hotel rooms and coordinating meals, activities, etc. I found no time to write during the course of the week. The irony of this was not lost on me, and made me think about productivity and the excuses we tell ourselves about not getting the work done.

Modern life and work saving methods allow us to have the time to write, yet it also provides distractions that sidetrack us from our work. Instead of writing, I was wrapping up the final episodes of my binge viewing of Lost, by watching 2 or 3 of them a day when we had time at the end of the evening after settling the kids into bed. I could have been and should have been writing. Yet, I chose otherwise. Just as I had many times over the last 6 weeks of my Lost marathon. I watched 6 years worth (120 episodes of it at 43 minutes each) of TV during that time. Yes, it’s true that, as a writer, you do need time to relax, but you also need discipline to say no to the modern distractions of insidious services such as Netflix, which can give you almost unlimited access to media you might not have watched during the initial run on TV and then forgot about it (and never missed it).

I made a choice about my free time. I enjoyed what I did. But I also didn’t write any blog posts. Draft any content for my book or even read the two file folders packed with research for the book that I brought along with me on vacation to read. It wouldn’t have been much of a sacrifice to delay gratification and “work” a little. Just spending 30 minutes a day devoted to writing would have made an enjoyable vacation even more enjoyable because I could relax with the knowledge that I was making progress on the book. I don’t have an answer to breaking these bad habits. I am weak when it comes to making myself sit down and do the work even in the most ideal of circumstances. I just have to keep trying.

What do you do to get your butt in the chair and writing? Any foolproof methods that work for you every time? Let me know in the comments below.

 

The man who removes a mountain begins by carrying away small stones. — Chinese Proverb

Every project you take on never feels like it will ever get done. You hate the opening paragraph. You can’t see the end of the story. You can’t find that article that you photocopied to use as a source. There are thousands of little roadblocks to every writing project, both internal (What was I trying to say here? Where’s the Chicago Manual of Style, I have a question about the use of semi-colons… Should I write this chapter, or go check on the squash plants in the garden?) and external (a tree falls on the roof of your house, your computer gets a nasty virus, your family is coming for a surprise visit this weekend). It is easy to get overwhelmed by the minutia and just give up.

Mountain, Three Valley Lake, Canada © by Paul Mannix

This proverb says it all. Maybe you can’t write an entire chapter today, but maybe you can research something for that chapter online for 10 minutes or so. If you are stuck when you try to write about rhinos today, try to write about hippos instead.

Even when you know exactly where you are going on a project, you will be sidetracked.  In 2004, Flash Writing was supposed to be ready for the for a writer’s conference in April. But I discovered that my early drafts weren’t good enough, there were more details to add to the book.  I needed better writing exercises. The character chapter was too big, and I couldn’t figure out how to fix it. I agreed to teach too many classes that winter and couldn’t focus on the book as much as I wanted to.  My computer locked up in the middle of a brilliant draft of the character creation chapter and as hard as I tried, I was unable to repeat the brilliance that the forever-lost first draft had. These little setbacks slowed me down, frustrated me… I lost interest for a couple of weeks because I didn’t know what I wanted to do next. I had classes to teach, soccer games and dance recitals to attend.  There were season finales of favorite shows to be watched.

But eventually you must take one small step to move the mountain. Remove one small stone. Revise five pages in Chapter 10. <Plink>Create writing exercises for Chapter 4. <Plink> Send out an email asking someone to provide a pull quote for the cover. <Plink> Print drafts of three chapters to review over the weekend. <Plink> And pretty soon, the work is done and you have a completed project on your desk. You have moved a mountain.

How do you break down your massive writing projects? Leave a comment below.

 

Do you think, if you say the word “impossible” enough times, that difficult things will suddenly become easier for you? – Richard Bach

Impossible Junction © by Funk15

When we write, we understand the reality of the word impossible. Writers stare at it every day and deal with the kind of rejection that would make a telemarketer swallow entire bottles of Prozac. Our job is the only one where you find small success after failing dozens,if not hundreds, of times. It is an industry driven by celebrities getting multi-million dollar book deals for an “as told to” byline to an unknown ghostwriter (see Snooki or any other members of the Jersey Shore cast, Rielle Hunter or <insert your own celebrity flash-in-the-pan here>). Bad books get all of the large advances from the publishers who then feel obligated to throw massive marketing resources behind the book… some become bestsellers based on the buzz, but most end up in the bargain bin at Barnes & Noble within weeks of release. On the flip side, you have good books with little to no marketing support by the publisher which sell only a couple of hundred copies, go out-of-print and then get “discovered” decades after the writer dies.  Or in many cases these days, a good book hangs on and gains momentum through the effort of the author or devoted readers who love it.

Some great authors struggle for years to make enough money just to get by, waiting for that elusive “breakout” book that gives them enough cash to stop working that mall security job or that part-time teaching position to write full-time. Maybe this breakout book gives them enough to buy a house, invest in a decent retirement, or put money aside for the kids’ college tuition.

When co-workers ask you: “Why are you wasting your time?” What do you answer? When an unsupportive boss, professor or parent says: “You’ll never be published.” How do you respond?

When J.K Rowling was a recently divorced welfare mother, writing in a local coffee shop while her infant daughter napped, do you think that she saw the publication of Harry Potter as impossible? After every major publisher rejected the book, do you think that she believed that her success was impossible? When these publishers told her that fantasy was a dying genre and that children didn’t like reading that kind of stuff anymore, did she give up and agree with the publishers that selling a fantasy novel in a day and age where the Playstation and XBox rules supreme was impossible? Did anyone imagine that less than 10 years later, Rowling would be richer than Queen Elizabeth? Impossible… right?

The only way to make the impossible possible is through hard work, belief in yourself, and the determination to move forward despite the odds. Now go do the impossible!

 

C-3P0: Sir, the possibility of successfully navigating an asteroid field is
approximately 3,720 to 1.
Han Solo: Never tell me the odds.  The Empire Strikes Back (1980)

Some writers write because they want to become rich and famous. They see writing as their winning lotto ticket, their professional football career, their one-hit-wonder, their American-Idol superstardom. They reason that if they can write the next Hunger Games, the next 50 Shades of Grey, or the next Chicken Soup for the Soul knockoff, that they can retire, live a life of leisure, and write.

I, like everyone else, would love to become wealthy through the labors of my creative words, but I also know that this dream is unrealistic. If I ever sat down and calculated my hourly wage on an article or short story sent out for publication, I’d have to gulp down a cocktail of anti-depressants to stop myself from leaping off of the nearest building. If you write only for wealth and fame, you’ll be surely disappointed.

Life unstoppable © by Espen Klem

You have to write because you love it. You have to write because you simply cannot do anything but. You have to write as if you know that you’ll never earn a nickel from publication, but choose to write anyway.

I have this eternal tug-of-war that goes on inside my head, where on a bad day, the inner critic convinces me that the best choice that I can make in my life is give up this little hobby, stop posting in this little blog and Tweeting, stop the writing practice and just read trashy novels, watch boatloads of TV, and take up manly pursuits such as electrical wiring, plumbing, and auto repair. So that one day, I am not so clueless in these areas that guys traditionally understand and excel at.

It would be practical. It would make all of the improvements that I see on Trading Spaces and This Old House seem easy. I would be comfortable with radial arm saws and nail guns, and not have to hire experts to help solve problems such as hot water heaters that don’t heat water, leaky pipes, and replacing shattered panes of glass (via a stray rock while using the trimmer mower to trim around the landscaping…) but I’d be miserable. And bored. So I block out that negative chatter and live by the words of Han Solo… “Never tell me the odds…” and refuse to think about them.

I don’t think about the thousands of books on display at Barnes and Noble, I think about the fact that surely, there is room for one more book on the shelf. I don’t think about the fact that John Grisham’s first novel, A Time to Kill, was rejected by 15 publishers and 30 agents, I think about how it was accepted by the 16th and now has millions of copies in print. There is no room for pessimism in writing (unless you write about pessimistic stuff). You don’t have any choice. If you write everyday, consistently and well, you become a better writer, and the money may come… but don’t count on it.

You can write the best book on the planet and you still may not be successful right away. Ask J.K. Rowling, whose Harry Potter and the Philosopher’s Stone (yes, folks, it was named something else over in jolly ol’ England and still has that name there) was rejected by every major publisher, all of them telling her that “fantasy is a dead genre,” until a small publisher named Scholastic decided that this book might have an audience within the masses of school kids that they sell books to and provide educational materials for each year, and the rest is history. Practice, write the best work that you can, market it smart, and who knows, maybe you’ll beat those odds… and maybe even make a little money along the way…

–Michael

 

What if represents endless possibility. It represents all that will or can be. The first level of what if is to ask what if as it might apply to you, the writer.  These what ifs can be ordinary or fantastic. You know yourself and can create endless stories from pairing the words what if with an endless variety of interesting situations.

What If? © by ank2798

Pick up any newspaper or magazine select a story and ask yourself what if you were entangled in that ordinary event or story?  How would you react? What would you do? How would it impact your life?

  • What if you lost your job tomorrow?
  • What if you were accused of murder?
  • What if you found yourself as a victim of a kidnapping on a family vacation?
  • What if there was a catastrophic earthquake in your town today?
  • What if you suddenly lost your hearing?
  • What if you witnessed a crime that required you to become part of Witness Protection?

You can also look at it as an imagination game, and ask yourself what if using fantastic ideas and events that don’t seem possible or believable.

  • What if I wake up tomorrow and the zombie apocalypse has begun?
  • What if you discovered that you could use magic?
  • What if you could go back in time and change one thing about your life?  What would it be?
  • What if you suddenly got a huge promotion at work, but it has a catch?
  • What if you won $200 million dollars in the lotto?
  • What if you encountered Bigfoot during a walk in the woods at a state park?
  • What if you had dreams that could predict the future at times?
  • What if your intelligence doubled overnight?

These are just a few examples of what if questions.  Come up with a list of your own with you in the starring role.